Programme
Thursday, September 23
11.00- Registration
13.00-13.15 Welcome
13.15-14.30 Keynote: Urban Musical Creativity, Complexity, and the Affective Function
Adam Krims (Professor of Music Analysis, University of Notingham)
Chair: Morten Michelsen
Large Hall
14.30-15.00 Break: Tea/coffee/fruit
Foyer
15.00-16.30 Session I: Papers/Presentation of sound art projects
Stream 1: Room 124
Axel Volmar: Fetishizing Technology, Shaping Identity. Practices of Listening in the History of High End Culture
Steen Kaargaard Nielsen: Early phonography and listening strategies
Mads Walther-Hansen: The dynamic structure of phonographic space
Chair: Birgite Stougaard
Stream 2: Room 116
Erik Christensen: Phenomenology as a tool for the description and analysis of sound and music
Michael V. Butera: Excessive Audition and Acoustic Resolution
Eduardo Abrantes: Voicing Presence the Musical in Transitional Public spaces
Chair: Erik Steinskog
Stream 3: Room 120
Kabir Carter: Underground and Underfoot in the City
Samson Young: Towards a Sonic Diaspora
Alessandro Giovannucci: Musicology and Sound Studies: a guide for the analysis of theauditory circuit bending
Chair: Anders-Peter Andersson
Stream 5: Room 112
Damien Masson & Ricardo Atienza: Lutherie urbaine, a project for urban rehabilitation through sonic intervention
Cécile Regnault & Catherine Aventin: Sound design as an approach to introduce projects ofdevelopment and as instigator to conceive urban sound landscape
Nanny Roed Lauridsen: The WiSoundscape: An interactive instalation to create a groupsoundscape composition
Chair: Catharina Dyrssen
16.30-17.00 Break: Tea/coffee/fruit
Foyer
17.00-18.30 Panel: The Field of Sound Studies: Perspectives and Objectives
Telef Kvifte (University of Oslo), Rolf Grossmann (Universität Lüneburg), Jacob Kreutzfeldt (University of Copenhagen)
Chair: Ansa Lønstrup
Large Hall
18.30-20.00 Reception
Foyer
20.00- Dinner on your own in Århus (se list of recommended restaurants)
Friday, September 24
09.00-10.15 Keynote: A Sonic Paradigm of Urban Ambiances?
Jean-Paul Thibaud (Cresson, Grenoble)
Chair: Ricardo Atienza
Large Hall
10.15-10.45 Break: Tea/coffee/fruit
Foyer
10.45-12.15 Session I: Papers/Presentation of sound art projects/Workshops
Sonic workshop for sound artists, part 1: Foyer/Room 118
Urban/Sound/Interfaces, workshop, part 1: Æstetisk mødelokale + Room 126
Stream 1: Room 124
Henry Torgue: ASTUCE Research Project: One way to evaluate urban centre soundscapes
Raja Ghozi-Mannai: Urban sound landscape complexity characterizationvia Audio-visual textures
Faten Hussein: Aging and altered sound perception in urban settings
Chair: Erik Christensen
Stream 2: Room 116
Holger Schulze: The Body of Sound: Sounding out the History of Science
Ariane Wilson: From sound to sign to sound. A pedagogic experiment
Anette Vandsø Aremark: The question of enunciation in relation to sound art
Chair: Mads Walther-Hansen
Stream 3: Room 120
Marcel Cobussen: Sounds in Everyday Life
Robert Dow: Personal listening and the colective experience of soundscape
Birgitte Stougaard: A sonic gesture in music and literature?
Chair: Erik Granly Jensen
Stream 5: Room 112
Åsa Stjerna: AtmoSpaces: an acoustic intervention
Amanda Belantara: A Colective Exploration: Ears Are Dazzled, touched by sound
Stephen Schwartz: Generating public focus on audio culture
Chair: Ansa Lønstrup
12.15-13.15 Lunch
Foyer
13.15-14.15 Panel: Three panelists discuss historical sound objects
Penelope Gouk (University of Manchester), Helmi Järviluoma (University of Joensuu), Steen K. Nielsen (University of Aarhus)
Chair: Iben Have
Large Hall
Foyer: Sonic workshop, part 2
Auditorium A: Urban/Sound/Interfaces, part 2
14.15-14.30 Short break
14.30-16.00 Session II: Papers/Presentation of sound art projects/Workshops
Foyer: Sonic workshop, part 3
Auditorium A: Urban/Sound/Interfaces, final part
Stream 1: Room 124
Eirini Chatzitsakou & Yiannis Christidis: Exploring cultural, spatial and sonic representational structures on the web: the case of a hamams heterotopia
Heikki Uimonen: The Moving Microphone: Acoustic Communication and Social Media
Chair: Thomas Bjørnsten Kristensen
Stream 2: Room 116
Anders-Peter Andersson, & Birgita Cappelen: Interactive Music Mediation
Sven Anderson: Exploring Real-Time Locational Input in the Design of Responsive Sound Instalations Situated in Public Space
George Brock-Nannestad: The properties of mediation
Chair: Nicoleta Isar
Stream 5: Room 112
John Wynne: Outside In: Re-framing urban noise
Ricardo Huisman: The soundscape instalation/creative research project: Bhu!
Chair: Morten Michelsen
16.00-16.30 Break: Tea/coffee/fruit
Foyer
16.30-17.30
Panel: Education
Holger Schultze (Universität der Kunste, Berlin) Anders-Peter Andersson (Universities of Kristiansstad and Gothenburg), Morten Breinbjerg (University of Aarhus)
Chair: Mike Butera
Large Hall
Panel: Three panelists describe a contemporary sound object they have listened to
Ola Stockfelt (University of Gothenburg), Torben Sangild (University of Copenhagen),Ansa Lønstrup (University of Aarhus)
Chair: Charlotte Rørdam Larsen
Room 124
Foyer: Workshop
17.30 - 18.00 Workshop presentations
At sites
19.00- Conference dinner
Physics Canteen
Saturday, September 25
09.00-10.15 Keynote: Music and the Emergence of Experimental Science in Early Modern Europe
Penelope Gouk (University of Manchester)
Chair: Morten Michelsen
Large Hall
10.15-10.45 Break: Tea/coffee/fruit
Foyer
10.45-12.15 Session IV: Papers/Presentation of sound art projects
Stream 1: Room 124
Erik Steinskog: Slaves to the Rhythm
Vincent Meelberg: Encountering Sonic Strokes: The Ethics of Aural Experience
Thomas Bjørnsten Kristensen: Analogue/Artificial Real world noises and digitalseclusion in sound art and electronic music
Chair: Torben Sangild
Stream 2: Room 116
Leslie Korrick: Sounding Off? Sound Art in the Institutional Exhibition Spaces of the Visual Arts
Nicoleta Isar: Sonic Strokes: Boltanskis Heartbeats and his Archives du Coeur (HeartArchives) On the subject of Sonic Mediation through Sonic Affect
Michael Bockhoff: Hearing painted soundscapes
Chair: Nina Gram
Stream 3: Room 120
Rob Strachan: The Spectacular Suburb: Soundscape, Environment and Music in Contemporary Electronic Music and Sound Art
Kristoffer Jul-Larsen: A method for the study of broadcasted criticism
Sanne Krogh Groth: Strategies of extreme reduction in poésie sonore and text-sound
Chair: Astrid Bryder Steffensen
Stream 4: Room 118
Iben Have: Emotional realism in the soundtrack of Armadilo
Charlotte Rørdam Larsen: Recycling in commercials: interchanges between past and present
Chair: Mads Krogh
Stream 5: Room 112
Ricardo Atienza & Monica Sand: In Situ-ing - Rhythm, Ambience and Identity
Morten Brockhoff: Work in Progress: Brain Music
Chair: Catharina Dyrssen
12.15-13.15 Lunch
Foyer
13.15-14.45 Session V: Papers/Presentation of sound art projects
Stream 1. Room 124
Malte Pelleter: Rechanneling the vibratory field. Thoughts on Stockhausen, kode9 and Lyotard
Dawn Scarfe: Through the Listening Glasses
Jamie Allen & Wil Schrimshaw: Resonator: A Larger Vibrational Continuum of Sound Practice
Chair: Anna Lawaetz
Stream 2: Room 116
Frans Mossberg: Reading & Listening to Music: A Study on how Sound Environment can Affect Reading and Understanding
Maria Andueza: Art, Sound and City: Urban site-specific Sound Instalation
Lorenzo Beretta: Sonic materiality: the new frontier in the production of architectural spaces
Chair: Jacob Kreutzfeldt
Stream 3: Room 120
Marc Crunelle: Two research projects
Astrid Bryder Steffensen: Liminal Listeningon the Auditory Structure of the Late Medieval Mass
Jari Kauppinen: Thanks, but no thanks: Towards a new paradigm of sound design in theperforming arts
Chair: Sanne Krogh Groth
Stream 5: Room 112
Gabriel Bérubé: Diversion, A Sonic Experience in Public Urban Spaces
Duncan MacDonald: Conflations: Sound art, music and architecture meet
Solène Marry: Ordinary sonic public space. Sound perception parameters in urban publicspaces and sonic representations associated with urban forms
Chair: Trine Fris Sørensen
14.45-15.00 Break: Tea/coffee/fruit
Foyer
15.00-16.00 Panel: Sound Acts in Urban Space
Jean-Paul Thibaud (Cresson, Grenoble), Catharina Dyrssen (Chalmers University ofTechnology), Monica Sand (Konstfack, Stockholm)
Chair: Morten Michelsen
Large Hall
16.00-16.10 Presentation of two new e-journals: The Journal of Sonic Studies and Sound Effects
Large Hall
16.00-16.20 Concluding Remarks
Morten Michelsen
Large Hall